{"id":910,"date":"2018-03-09T21:27:34","date_gmt":"2018-03-09T20:27:34","guid":{"rendered":"https:\/\/fgv-rental.de\/?page_id=910"},"modified":"2020-02-26T15:43:09","modified_gmt":"2020-02-26T14:43:09","slug":"02-e-cameras","status":"publish","type":"page","link":"https:\/\/fgv-rental.de\/index.php\/en\/02-e-cameras\/","title":{"rendered":"02-e-cameras"},"content":{"rendered":"\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
<\/th>Cameras<\/th><\/th>\n<\/tr>\n<\/thead>\n
h2RO<\/td>ARRI ALEXA 35<\/td><\/td>\n<\/tr>\n
<\/td>ARRI ALEXA 35<\/strong>
\n\"\"
\n
\nSensor Type:
\nSuper 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
\n
\nFilters:
\nFour position built-in motorized ND filter: Clear, 0.6, 1.2, 1.
\n
\nSensor Maximum Number of Photosites and Size:
\n4608 x 3164
\n27.99 x 19.22 mm \/ 1.102x 0.757\"
\n\u00d8 33.96 mm \/ 1.337\"
\n
\nSensor Frame Rates:
\n0.75 - 120 fps
\n
\nDynamic Range:
\n17 stops
\n
\nRecording Formats:
\nMXF\/ARRIRAW
\nMXF\/Apple ProRes 4444 XQ
\nMXF\/Apple ProRes 4444
\nMXF\/Apple ProRes 422 HQ<\/td>		includes:\u00a0
\nALEXA 35 camera body
\nALEXA 35 Cine License
\nARRI LPL mount (LBUS)
\nARRI PL-to-LPL adapter
\nbalance utility dovetail BUD-1
\nB-mount battery adapter
\nmulti viewfinder MVF-2
\nproduct support set<\/td>\n<\/tr>\n
h2RO<\/td>ARRI ALEXA LF<\/td><\/td>\n<\/tr>\n
<\/td>ARRI ALEXA MINI LF<\/strong>
\n\"\"
\n
\nEVF, Bridge Plate, Top Handle, LPL to PL Mount
\nV-mount Power Splitting Box MkII
\n4x Onboard Batteries, 1x Battery Charger
\n1x Codex Compact Drive Reader (USB-C)<\/td>		Large-Format-Sensor ALEV 3 A2X (30,7 x 25,54 mm \/ 4448 x 3096)
\nbeeindruckender Large-Format-Look
\ngeringeres Rauschen bei h\u00f6herer nutzbarer Empfindlichkeit
\nh\u00f6chster Dynamikbereich aller Produktionskameras
\nARRI-Color-Science f\u00fcr nat\u00fcrliche Hautt\u00f6ne, einfache Farbkorrektur und sauberes VFX
\nperfekt f\u00fcr High Dynamic Range (HDR) und Wide Color Gamut (WCG) Displays<\/td>\n<\/tr>\n
<\/td>ARRI ALEXA LF<\/strong>\t
\n\"\"
\n
\nEVF, Bridge Plate, Top Handle
\n2TB Media Storge, 1x Reader
\n4x Onboard Batteries, 1x Battery Charger<\/td>		up to 150 fps in ARRIRAW (LF 2.39: 1)
\nLPL lens connection P
\nL lenses compatible with Pl-to-LPL adapter
\nhigh compatibility with ALEXA accessories
\nStorage media: SXR hard drives or SxS PRO +<\/td>\n<\/tr>\n
h2RO<\/td>ARRI ALEXA<\/td><\/td>\n<\/tr>\n
<\/td>ARRI ALEXA Mini<\/strong>\t
\n\"\"
\n
\nincl. 4:3 Licence Key
\nEVF, Bridge Plate, Top Handle, Battery Hotswap
\n4x 128GB Cfast Cards, 1x CFAST Reader
\n4x V-Mount Batteries, 1x Battery Charger<\/td>		lightweight housing made of carbon (carbon fiber) with titanium lens mount Changeable lens connections: PL, EF & B4 available (not included)
\n14 f-stops dynamic range
\nARRI Lens Data System
\nVersatile fastening and mounting options
\ninternal recording on Cfast 2.0 memory cards
\nProRes recordings with up to 200 fps
\n4:3 sensor for anamorphic productions
\nLUT support
\nPeaking, false color, zebra
\nIntegrated radio interface for ARRI lens control<\/td>\n<\/tr>\n
<\/td>Arri Alexa Mini - ARRI RAW<\/strong>\t
\n\"\"
\n
\nincl. 4:3 Licence Key & ARRI RAW Licence
\nEVF, Bridge Plate, Top Handle, Battery Hotswap
\n4x 256GB Cfast Cards, 1x CFAST Reader
\n4x V-Mount Battery, 1x Battery Charger<\/td>		lightweight housing made of carbon (carbon fiber) with titanium lens mount Changeable lens connections: PL, EF & B4 available (not included)
\n14 f-stops dynamic range
\nARRI Lens Data System
\nVersatile fastening and mounting options
\ninternal recording on Cfast 2.0 memory cards
\nProRes recordings with up to 200 fps
\nUncompressed ARRIRAW * recordings at up to 30 fps
\n4:3 sensor for anamorphic productions
\nLUT support
\nPeaking, false color, zebra
\nIntegrated radio interface for ARRI lens control<\/td>\n<\/tr>\n
<\/td>Arri Amira Premium<\/strong>
\n\"\"
\n
\nEVF, Bridge Plate, Top Handle, Battery Hotswap
\n4x 128GB Cfast Card, 1x CFAST Reader
\n4x V-Mount Batteries, 1x Battery Charge<\/td>		electronic OLED viewfinder with 1280x1024 pixels
\nLCD monitor for live image and full access to camera functions
\nDynamic range of more than 14 f-stops
\nAMIRA records images in Rec 709 or in Log C.
\nProRes Codec in the quality levels ProRes 422 (Proxy), 422 (LT), 422, 422 (HQ), ProRes 4444, 2K (2048 x 1152) in Rec709 & Log C
\nFrame rates from 0.75 - 200 fps
\nRecording on Cfast 2.0 flash memory cards
\nPerfect balance thanks to dovetail guides on the shoulder pad
\n4 audio inputs and recording channels
\nIntegrated WiFi interface for extended camera operation
\nUnlimited number of predefined looks
\nCreate your own 3D LUTs in external color grading systems and load them into the camera<\/td>\n<\/tr>\n
<\/td>Arri Alexa SXT<\/strong>
\n\"\"
\n
\nEVF, Bridge Plate, Top Handle
\n1TB Media Storge
\n4x Onboard Batteries, 1x Battery Charger<\/td>		35mm format digital cinema camera with 4 sensor modes (Open Gate, 4: 3, 6: 5 and 16: 9)
\nIntegrated video transmitter for wireless environment
\nBuilt-in FSND filter holder, PL mount and ARRI lens data system
\nIn-camera ARRI-RAW recording on SXR and XR storage media with up to 120 FPS
\n14 different recording formats, all in ARRIRAW and ProRes (4444XQ, 4444,422HQ, 422)
\nProRes HD, 2K, 3.2K and 4K; ARRIRAW in 2.8K, 3.2K and 3.4K
\nLook management and 3D-LUT support
\nHDR monitoring with 4 independent monitor outputs
\nRec.709 and Rec.2020 outputs
\nImproved noise reduction and image processing (16-bit processing)
\nRecording on SxS Pro, SxS PRO + or CFast2.0 is possible with additionally available modules
\nIntegrated wireless remote control of the camera and lens motors
\nAdditional connections for camera & lens control, signal output and power output for accessories<\/td>\n<\/tr>\n
<\/td>Arri Alexa XT
\n\"\"
\n
\nEVF, Bridge Plate, Top Handle
\n1TB Media Storge
\n4x Onboard Batteries, 1x Battery Charger<\/td>		camera ARRIRAW recording,
\ninternal ND filtration,
\nan Open Gate active sensor,
\nCDL capture,
\nLDS PL mount,
\nnew viewfinder mounting bracket,
\nincluded anamorphic de-squeeze and high speed licenses
\nnew super silent fan<\/td>\n<\/tr>\n
<\/td>ARRI ALEXA PLUS<\/strong>
\n\"\"
\n
\n35mm Alev III CMOS Sensor \/ 800 EI
\nin-camera recording SxS Memory Cards
\nApple Quick Time Pro Res 4:2:2 HQ oder
\nPro Res 4444 HD mit emb. Audio & Metadata
\nRecording Outputs Uncompressed HD Video oder
\nUncompressed ARRI RAW mit emb. Audio & Metadata
\nelectronic shutter 5\u00b0 \u2013 358\u00b0
\nEVF-1 Sucher
\n4 SxS Memory Cards
\n4 Akkus, Ladeger\u00e4t
\nVerstellplatte 19mm<\/td>		classic Alexa, Anamorphic and 4: 3 license (therefore also perfect for 2X anamorphic cameras).
\n-additionally in the Plus version with CLM motor connections for relaxed radio focus setup in combination with WCU-4 and Arri CLM motors<\/td>\n<\/tr>\n
<\/td>ARRI ALEXA PLUS High Speed<\/strong>
\n\"\"
\n
\n35mm Alev III CMOS Sensor \/ 800 EI
\nin-camera recording SxS Memory Cards
\nApple Quick Time Pro Res 4:2:2 HQ oder
\nPro Res 4444 HD mit emb. Audio & Metadata
\nRecording Outputs Uncompressed HD Video oder
\nUncompressed ARRI RAW mit emb. Audio & Metadata
\nelectronic shutter 5\u00b0 \u2013 358\u00b0
\nEVF-1 Sucher
\n3 SxS Memory Cards 64 GB
\n4 Akkus, Ladeger\u00e4t
\nVerstellplatte 19mm<\/td>		classic Alexa, Anamorphic and 4: 3 license (therefore also perfect for 2X anamorphic cameras).
\n-additionally in the Plus version with CLM motor connections for relaxed radio focus setup in combination with WCU-4 and Arri CLM motors<\/td>\n<\/tr>\n
h2RO<\/td>Sony<\/td><\/td>\n<\/tr>\n
<\/td>Sony Venice<\/strong>\t
\n\"\"
\n
\nincl. Anamorphic + FF License + High Speed Licence
\nEVF, Bridge Plate, Top Handle, 15mm & 19mm Rods
\nWooden Camera D Box
\n1x AXS-R7 Recorder
\n3x AXS 512GB memory card
\n1x AXS-CR1 Access card reader
\n4x V-Mount Batteries, 1x Battery Charger
\n<\/td>		newly developed 6K full format sensor (36x24mm)
\n15 stops of dynamic range
\n8 built-in mechanical ND filters
\nE-mount lens connection, with PL mount connection (screwed on)
\n*Lever Lock Type E-Mount requires firmware update.
\n4 x 12G, 3G, 1.5G- SDI outputs
\nExchangeable sensor for more future security
\nnew color management with better grading workflows
\nCompatible with a wide range of lenses: anamorphic, S35 and full-frame lenses with PL connection<\/td>\n<\/tr>\n
<\/td>Sony Venice Rialto Extension Kit
\n\"\"<\/td>		The VENICE expansion system (CBK-3610XS) enables the wired separation of the VENICE camera housing and image sensor block for up to 5.5 m without impairing the image quality<\/td>\n<\/tr>\n
<\/td>Sony PDW-F5
\n\"\"
\n
\nincl. 4k Upgrade, Internal Clear ND 0.9 \/ 1.8
\nEVF, Bridge Plate, Top Handle
\n3x 128GB SxS cards, 1 x SxS Reader USB3,
\n4x V-Mount, 1x Battery Charger<\/td>		S35mm 4K CMOS sensor
\nHigh frame rates 180fps XAVC HD recording
\nRecording rates in 4K and 2K RAW up to 60fps
\nFormats \/ Multi-Codec: XDCAM HD422, XAVC 50p, XAFC HD HFR, HDCAM SR SStp)
\nPL mount with PL \/ FZ mount adapter
\nOptional: External RAW recorder, OLED viewfinder<\/td>\n<\/tr>\n
<\/td>Sony PDW-F55
\n\"\"
\n
\nOled EVF, Bridge Plate, Top Handle
\n1x 128GB SxS cards, 1x SxS Reader USB3,
\n4x V-Mount, 1x Battery Charger<\/td>		The SONY F55 is a professional 4K cinema camcorder. The F55 camera is the \"big brother\" of the PMW-F5. The F55 differs from the PMW-F5 mainly in the following points:
\ninternal 4K recording
\n180 frames per second for internal recording in Full HD
\n240 pictures 2K RAW via external recorder AXS-R5
\nGlobal shutter
\nWide color gamut<\/td>\n<\/tr>\n
<\/td>Sony PXW-FS7K Paket<\/strong>
\nFS7, 28-135mm\/4.0 Standardoptik, 2xBP-U60, Ladeger\u00e4t, 2x 64GB XQD
\nShape Kit, Kartenleser USB3 MRWE80<\/td>		<\/td>\n<\/tr>\n
<\/td>Sony A7S MKII
\n\"\"
\n
\nincludes: Accessories, 3x 64GB Extreme Pro 95mb\/s SDHD Card,
\n4x NP-FW50 Battery, Charger<\/td>		Ultra-high-sensitive with up to ISO 409600 * with low noise behavior over the entire ISO range
\nWide dynamic range across the entire ISO range for smoother tonal gradations
\nbuilt-in optical 5-axis stabilization system for extended recording options
\nInternal 4K video recording: Full pixel readout in full format without pixel binning
\nWide range of professional film functionalities including S-Gamut3.Cine \/ Slog3, new Gamma Assist display, extended Zebra function,
\nFull HD 120 FPS recording and 4x \/ 5x slow-motion recording
\nHigh-speed AF with increased accuracy for a wide variety of scenes and advanced recording functions
\n*Standard ISO100-102400, expandable to ISO50-409600<\/td>\n<\/tr>\n
<\/td>Sony A7R MKII
\n\"\"
\n
\nincludes: Accessories, 3x 64GB Extreme Pro 95mb\/s SDHD Card,
\n4x NP-FW50 Battery, Charger<\/td>		42.4 megapixel full frame sensor: CMOS (35.9x24.0mm)
\n4K (QFHD: 3.840 x 2.160) to 30 frames per second
\nHD recording up to 120 frames per second
\nXAVC-S 4K up to 100Mbps, Full HD up to 50 Mbps
\nRecording codecs: XAVC S, AVCHD
\nSensitivity: ISO 50-102400
\nResolutions photo max .: 7952x4472 (16: 9) \/ 7952x5304 pixels (3: 2) (JPEG \/ RAW)
\nSeries photo: max. 5 pictures \/ sec
\n5 axis steady shot image stabilizer
\nfast hybrid AF system
\nE-mount lens connection
\nXGA OLED EVF with ZEISS T coating, 2,359,296 pixels
\nDisplay: 3.0 \"LCD, tiltable
\nContinuous shooting: max. 5 frames \/ sec.
\nStorage media: SD \/ SDHC \/ SDXC, Memory Stick (Pro Duo \/ Pro-HG Duo)
\nConnections: USB 2.0, HDMI Out
\nAudio: 3.5mm jack microphone in, 3.5mm jack headphones
\nWLAN 802.11b \/ g \/ n, NFC
\nPower supply: Li-ion battery (NP-FW50)
\nDimensions (WxHxD): 126.9x95.7x60.3mm
\nWeight: 582g<\/td>\n<\/tr>\n
h2RO<\/td>RED<\/td><\/td>\n<\/tr>\n
<\/td>Red Weapon 8K Monstro Vista Vision<\/strong>
\n\"\"
\n
\nincludes: PL Lens Mount, EVF, 7\u201c Touchscreen, DSMC2, Top Handle
\n1TB Storage,1x Reader
\n4x Batteries, 1x Charger<\/td>		MONSTRO 8K VV sensor
\n17+ f-stops
\n8K full frame (8192 x 4320) at 60 fps
\n8K 2.4: 1 (8192 x 3456) at 75 fps
\nApple ProRes in 4K (4096 x 2160) up to 29.97 fps
\nAvid DNxHR in 4K (4096 x 2160) up to 29.97 fps<\/td>\n<\/tr>\n
<\/td>Red Helium Weapon 8K S35 Paket (60fps in 8K)<\/strong>
\n\"\"
\n
\n8K S35 (60fps in 8K)
\nincludes: EVF, Lens Mount, 7\"\" Touchscreen, Accessories, V-Mount Plate,
\n2 x Mini Mag SSD 512 GB, 1 x Mini Mag SSD Reader,
\n4 x Onboard Batteries, Charger<\/td>		HELIUM 35.4 megapixel Super35mm CMOS
\n16.5+ f-stops
\nREDCODE RAW up to 8K full screen (8192 x 4320) and 60 fps<\/td>\n<\/tr>\n
<\/td>Red Epic-X Dragon<\/strong>
\n\"\"
\n
\nEVF, Top Handle, Bridge Plate,
\n2x 128GB SSD cards, 1x 256GB SSD, 1x SSD Reader USB3,
\n4 x V-Mount Batteries, 1x Charger<\/td>		DRAGON-X 6K sensor
\n16.5 f-stops dynamic range
\n6K with up to 75 frames per second
\n5K with up to 120 frames per second
\n2K with up to 300 frames per second
\nIPP2 Image Workflow<\/td>\n<\/tr>\n
<\/td>Red Epic W Helium 8K S35 Paket (30fps in 8K)<7strong>
\n(30fps in 8K)
\n\"\"
\n
\nincludes: EVF, Lens Mount, 7\"\" Touchscreen, Accessories, V-Mount Plate,
\n2 x Mini Mag SSD 512 GB, 1 x Mini Mag SSD Reader,
\n4 x Onboard Batteries, Charger<\/td>		8K digital cinema camera
\nintegrated media slot
\nHELIUM 35.4 megapixel CMOS
\nintegrated R.C.P. WiFi antenna
\n3G-SDI (HD-SDI) and HDMI with DSMC2 expansion module<\/td>\n<\/tr>\n
<\/td>Red Dragon 6K S35 Weapon Paket <\/strong>
\n\"\"
\n
\nLens Mount, EVF, 7\u201c Touchscrenn, DSMC\u00b2, 4 Akkus, Ladeger\u00e4t,
\n1 TB Speicher, Reader, V-Mount, Verstellplatte, Carrying\/Mounting Kit<\/td>		<\/td>\n<\/tr>\n
<\/td>Red Dragon 6K S 35 Epic CF 6K Paket<\/strong>
\n\"\"
\n
\nLens Mount, EVF, 5\u201c Touchscrenn, DSMC\u00b2, 4 Akkus, Ladeger\u00e4t,
\n1 TB Speicher, Reader, V-Mount, Verstellplatte, Carrying\/Mounting Kit<\/td>		<\/td>\n<\/tr>\n
<\/td>Red Dragon 4,5K S35 Raven Paket<\/strong>
\n\"\"
\n
\nEF Mount, EVF, 4,5\u201c Touchscrenn, DSMC\u00b2, 4 Akkus, Ladeger\u00e4t,
\n1 TB Speicher, Reader, V-Mount, Verstellplatte, Carrying\/Mounting Kit<\/td>		<\/td>\n<\/tr>\n
<\/td>Red Epic M<\/strong>
\n\"\"
\n
\nEVF, Top Handle, Bridge Plate,
\n2x 128GB SSD cards, 1x 256GB SSD, 1x SSD Reader USB3,
\n4 x V-Mount Batteries, 1x Charger<\/td>		Weight: 2,27kg (Brain)
\nMax. Resolution (nat.): 6144 x 3160
\nDynamic Range: 16,5 stops
\nFramerates: up to 300fps (2K 2.4:1 2048 x 864)
\nRecording Media: REDMAG 1.8 SSD
\nCodec: Redcode only
\nSensor Size: 30,70mm x 15,8mm Lens Mount: PL<\/td>\n<\/tr>\n
<\/td>Red Raven<\/strong>
\n\"\"
\n
\nEVF, Top Handle, Bridge Plate,
\n2x 128GB SSD cards, 1x 256GB SSD, 1x SSD Reader USB3,
\n4 x V-Mount Batteries, 1x Charger<\/td>		Camera body with accessories - ideal for run & gun applications
\n4.5K RED RAGON sensor - 23.04x10.8mm - 9.9 MP
\n4K RAW recordings with up to 120 FPS and 2K with up to 240 FPS
\nsimultaneous REDCODERAW and Apple ProRes recording
\n16.5+ f-stops dynamic range
\nhigh flexibility and areas of application due to low weight
\ncompatible with RED WEAPON
\nSignal-to-noise ratio of 80 dB<\/td>\n<\/tr>\n
<\/td>Red Scarlet<\/strong>
\n\"\"
\n
\nEVF, Top Handle, Bridge Plate,
\n2x 128GB SSD cards, 1x 256GB SSD, 1x SSD Reader USB3,
\n4 x V-Mount Batteries, 1x Charger<\/td>		Most accessible way to get full Super 35 lens coverage
\nExceptional 5K resolution
\nCaptures 5K Full Format motion and stills at up to 50 fps and 5K 2.4:1 (Widescreen) at up to 60 fps
\n13.8 MP stills from motion
\nCapable of simultaneous REDCODE RAW and 4K Apple ProRes or Avid DNxHR\/HD recording
\nPowered by the award-winning RED DRAGON sensor
\n16.5+ stops of dynamic range
\nData speeds of up to 170 MB\/s
\nModular design capable of adapting to any shooting scenario
\nInterchangeable lens mounts<\/td>\n<\/tr>\n
<\/td>Gimbal Kit
\nRed Dragon 4,5K S35 Raven<\/strong>
\nEF Mount,4,5 Touchscreen 0,5 TB Storage, Reader, Jet Pack<\/td>		<\/td>\n<\/tr>\n
h2RO<\/td>Canon<\/td><\/td>\n<\/tr>\n
<\/td>Canon C300 MKII PL<\/strong>
\n
\n3 batteries, 1 charger, Arri Support, 2x 128 GB<\/td>		<\/td>\n<\/tr>\n
<\/td>Canon C300 MKII EF<\/strong>
\n
\n3 batteries, 1 charger, Arri Support, 2x 128 GB<\/td>		<\/td>\n<\/tr>\n
h2RO<\/td>GO PRO<\/td><\/td>\n<\/tr>\n
<\/td>GO PRO Hero 4K Black<\/strong>
\n
\nincludes: 2 x Go Pro Hero 4K battery
\n2 x 32GB Sandisk Micro SDHC<\/td>		<\/td>\n<\/tr>\n
h2RO<\/td>Black Magic<\/td><\/td>\n<\/tr>\n
<\/td>Blackmagic Pocket Cinema Camera<\/strong>
\n
\nincludes: 2 x Battery
\n2 x 32GB Sandisk Micro SDHC<\/td>		<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
h2RO<\/td>Zubeh\u00f6r Digitalkameras<\/strong><\/td><\/td>\n<\/tr>\n
h3GR<\/td>ALEXA LF MINI<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Codex 1 TB compact drive<\/td><\/td>\n<\/tr>\n
<\/td>Codex Capture Drive SXR<\/td><\/td>\n<\/tr>\n
h3GR<\/td>ALEXA SXT Paket <\/strong><\/td><\/td>\n<\/tr>\n
<\/td>SXR Capture Drive 2 TB<\/td><\/td>\n<\/tr>\n
<\/td>Codex Capture Drive Single Dock<\/td><\/td>\n<\/tr>\n
h3GR<\/td>ALEXA XT Paket <\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Capture Drive 512 GB<\/td><\/td>\n<\/tr>\n
<\/td>Codex Vault<\/td><\/td>\n<\/tr>\n
<\/td>Dual Dock<\/td><\/td>\n<\/tr>\n
<\/td>Single Dock<\/td><\/td>\n<\/tr>\n
h3GR<\/td>Alexa Mini <\/strong><\/td><\/td>\n<\/tr>\n
<\/td>RAW Option for Mini<\/td><\/td>\n<\/tr>\n
<\/td>Starbright Transvideo Monitor<\/td><\/td>\n<\/tr>\n
<\/td>C-Fast Karte 120 GB f\u00fcr Amira\/Mini<\/td><\/td>\n<\/tr>\n
<\/td>C-Fast Karte 256 GB f\u00fcr Amira\/Mini<\/td><\/td>\n<\/tr>\n
<\/td>C-Fast Reader<\/td><\/td>\n<\/tr>\n
<\/td>EF Mount Amira\/Mini<\/td><\/td>\n<\/tr>\n
h3GR<\/td>SONY Venice <\/strong><\/td><\/td>\n<\/tr>\n
<\/td>SONY Venice\/Cine incl. anamorph + FF License<\/td><\/td>\n<\/tr>\n
<\/td>SONY CBK Extension Kit<\/td><\/td>\n<\/tr>\n
<\/td>AXS-RS7\/Venice 2K&4K Recorder<\/td><\/td>\n<\/tr>\n
<\/td>AXS-A memory card<\/td><\/td>\n<\/tr>\n
<\/td>AXS-AR1 cardreader Thunderbolt2<\/td><\/td>\n<\/tr>\n
<\/td>AXS-CR1 Access card reader<\/td><\/td>\n<\/tr>\n
h3GR<\/td>RED<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Bomb Finder + cable<\/td><\/td>\n<\/tr>\n
<\/td>Holder for Viewfinder<\/td><\/td>\n<\/tr>\n
<\/td>Motion Mount<\/td><\/td>\n<\/tr>\n
<\/td>Mini SSD 512 GB<\/td><\/td>\n<\/tr>\n
<\/td>1+1 Modul<\/td><\/td>\n<\/tr>\n
<\/td>Proteus und Elektra<\/td><\/td>\n<\/tr>\n
h3GR<\/td>Sony PDW<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>128 GB SxS Pro +<\/td><\/td>\n<\/tr>\n
<\/td>SxS Card Reader USB3<\/td><\/td>\n<\/tr>\n
<\/td>AXS-R5 RAW Recorder<\/td><\/td>\n<\/tr>\n
<\/td>AXSM 512 GB Karte<\/td><\/td>\n<\/tr>\n
<\/td>AXS-CR1 Card Reader USB3<\/td><\/td>\n<\/tr>\n
h3GR<\/td>Sony PXW-FS7K<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>64 GB XQD<\/td><\/td>\n<\/tr>\n
<\/td>128 GB XQD<\/td><\/td>\n<\/tr>\n
<\/td>Sony XDCA-FS7, V-Mount,ProRes,TC,Genlock,Raw<\/td><\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>1TB Codex Compact Drive<\/td><\/td>\n<\/tr>\n
<\/td>CFast 2.0 Card 128GB
\n<\/td>		<\/td>\n<\/tr>\n
<\/td>CFast 2.0 Card 256GB
\n<\/td>		<\/td>\n<\/tr>\n
<\/td>Codex Capture Drive 2TB
\n<\/td>		<\/td>\n<\/tr>\n
<\/td>Codex Capture Drive Reader
\n<\/td>		<\/td>\n<\/tr>\n
<\/td>XR Capture Drive 512GB<\/td><\/td>\n<\/tr>\n
<\/td>Codex Capture Drive Dock (SAS)<\/td><\/td>\n<\/tr>\n
<\/td>SXR Capture Drive 1TB<\/td><\/td>\n<\/tr>\n
<\/td>SXR Capture Drive 2TB<\/td><\/td>\n<\/tr>\n
<\/td>AXS 512GB memory card<\/td><\/td>\n<\/tr>\n
<\/td>Red Mag 1.8\" SSD 128GB <\/td><\/td>\n<\/tr>\n
<\/td>Red Mag 1.8\" SSD 240GB <\/td><\/td>\n<\/tr>\n
<\/td>Red Mini Mag SSD 512 GB<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Servo Drives<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRI WIRELESS LCS<\/td><\/td>\n<\/tr>\n
<\/td>WCU-4 ARRI Cine Wireless Compact Unit (3 Axis System)<\/strong>
\n
\n2axis, with 2 Lens Motors<\/td>		Transmitter \/ control unit for 3-channel radio remote control of focus, iris, zoom and camera record start \/ stop (Frequency range 2.4 GHz)<\/td>\n<\/tr>\n
<\/td>WCU-4 ARRI Cine Wireless Compact Unit (3 Axis System)<\/strong>
\n
\n3axis, with 3 Lens Motors<\/td>		Transmitter \/ control unit for 3-channel radio remote control of focus, iris, zoom and camera record start \/ stop (Frequency range 2.4 GHz)<\/td>\n<\/tr>\n
<\/td>Pre-Marked Focus Ring<\/strong><\/td>Pre-marked focus ring for WCU-4, enables focus allocation with the wireless compact unit.<\/td>\n<\/tr>\n
<\/td>SXU-1 Arri Single Axis Controller (Single Axis System)<\/strong><\/td>Transmitter \/ control unit for 1 channel radio remote control of focus, iris or zoom and camera record start \/ stop (Frequency range 2.4 GHz)<\/td>\n<\/tr>\n
<\/td>WCU-3 ARRI Cine Wireless Compact Unit (2 Axis System)<\/strong><\/td>Transmitter \/ control unit for 2-channel radio remote control of focus, aperture and camera record start \/ stop
\n(Frequency range 2.4 GHz)<\/td>\n<\/tr>\n
<\/td>ZMU-3A Zoom Main Unit<\/strong><\/td>The Zoom Main Unit ZMU-3A is a zoom controller that can be mounted on the arm \/ camera grip while it is connected to the camera and motor. For precise zoom control with the force-sensitive zoom button.<\/td>\n<\/tr>\n
<\/td>WZE-3 Wireless Module ZMU<\/strong><\/td>The small and light wireless zoom extension WZE-3 frees the zoom main unit ZMU-3A from its cables. Once connected, wireless zooming is possible from anywhere on the device. The Wireless Zoom Extension WZE-3 can be used in parallel to WCU-4 and other components of the ARRI Wireless System.<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
<\/td>Arri Master Grips<\/strong><\/td>The Master Grips from Arri combine effective stabilization of the camera with comprehensive control options for lens and camera. The toggle lever on the right side enables smooth and seamless zooming, while the knurled wheel on the left side can be used to control aperture and focus. The Mastergrips fit seamlessly into all Alexa models with integrated motor control, but can also be operated with all other cameras using the LCUBE-1 and 2.
\n
\nLenses with integrated focus and zoom motors such as the Canon CN 7 x 17 or the Fujinon Cabrio Zoom 19-19mm can be controlled directly. No Cforce motors are then required.<\/td>\n<\/tr>\n
h3GR<\/td>Lens Motoren<\/td><\/td>\n<\/tr>\n
<\/td>AC Fluid<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>ARRI cforce mini RF Motor<\/strong><\/td>- 1x L-Bus connection, Lemo & trade 4-pin (f)
\n- 1x CAM 7-pin - Supports daisy chaining for up to 3 cforce mini motors
\n- Supports pairing with up to three hand transmitters
\n- The assignment of whether the motor is used for focus, aperture or zoom is made by pressing a button directly on the motor
\n- Run \/ Stop function
\n- Compatible with WCU-4, AMC-1, SXU-1, LCUBE CUB-1, UDM-1, Master Grips, cmotion pan-bar zoom, steady zoom<\/td>\n<\/tr>\n
<\/td>ARRI cforce Plus Motor<\/strong><\/td>The cforce Plus motor moves every standard lens very quickly, smoothly and comfortably. Equipped with two connectors and with daisy chain technology for the series connection of up to three cforce motors to a single connection of the ALEXA mini camera or the active motor controller AMC-1 and UMC-4.<\/td>\n<\/tr>\n
<\/td>ARRI cforce mini Lens Motor<\/strong><\/td>The cforce mini is an exceptionally small, lightweight, responsive lens motor. Equipped with two connectors and with daisy chain technology for the series connection of up to three cforce motors to a single connection of the ALEXA mini camera or the active motor controller AMC-1 and UMC-4LDS. The cforce mini motor was developed in collaboration with cmotion and uses the LBUS communication protocol<\/td>\n<\/tr>\n
<\/td>CLM-4 Motor Unit<\/strong><\/td>The Controlled Lens Motor CLM-4 is a quiet, quiet lens motor with an exchangeable gear module that can be mounted on both sides of the motor. Various assemblies Options provide the ultimate in flexibility when attaching the lens to the motor. Suitable for ARRI engine control units e.g. (UMC-4, SMC-1, EMC-1). Fits on 19mm or 15mm support tubes. Also includes a 0.8 drive module for film lenses and cine-style<\/td>\n<\/tr>\n
<\/td>CLM-3 Motor Unit<\/strong><\/td>The controlled lens motor CLM-3 offers an unprecedented torque and speed for the toughest lenses even under the coldest conditions. The lens drive gear can be very light and flexible exchanged and attached to each side of the motor. Fits on 19mm or 15mm support tubes.
\n
\nSuitable for ARRI engine control units e.g. (UMC-4, SMC-1, EMC-1).<\/td>\n<\/tr>\n
<\/td>CLM-2 Motor Unit<\/strong><\/td>Suitable for ARRI engine control units e.g. (UMC-4, SMC-1, EMC-1). Fits on 19mm or 15mm support tubes. Contains 0.8 modular Ring gear for film lenses and video lenses.<\/td>\n<\/tr>\n
<\/td>UMC-4 LDS Universal Motor Controller<\/strong><\/td>The Universal Motor Controller UMC-4 allows ARRI's electronic control system to work as an autonomous, camera-independent system. With it you can use up to three different ARRI hand control units and thus control focus, iris and zoom motors and that on any lens and camera. The lens data can be read on the WCU-4 hand-unit and used for focus tracking, while it is also saved in the post with time codes for VFX applications.
\n
\nSuitable for: WCU-4, SXU-1, ZMU-3A and WZE-3<\/td>\n<\/tr>\n
<\/td>UMC-3A Universal Motor Controller<\/strong><\/td>It provides camera and lens remote control functions for cameras without a built-in receiver. Up to 3 motors can be wired or wirelessly connected and controlled via the UMC-3A. It also provides support for lens data display and lens data archive (LDA) options<\/td>\n<\/tr>\n
<\/td>AMC-1 Active Motor Controller<\/strong><\/td>The AMC-1 is an active, compact motor controller with an LBUS interface. The LBUS interface enables serial cabling of up to 3 cforce mini motors. The low weight and compact size make the AMC-1 ideal for use e.g. for steadycam or drones ...<\/td>\n<\/tr>\n
<\/td>SMC-1 Single Motor Controller<\/strong><\/td>1-channel motor control in a compact and lightweight housing design ideal for critical set-ups such as steadycam or camera drones.
\n
\nThe SMC-1 controls an ARRI CLM motor and is the perfect counterpart to the optional ARRI SXU-1 Single Axis Hand Unit<\/td>\n<\/tr>\n
<\/td>LCUBE Arri<\/strong><\/td>The LCUBE from ARRI is a compact signal converter,
\nthe ARRI LBUS protocol converts signals into SERIAL protocol signals.<\/td>\n<\/tr>\n
h2RO<\/td>Ultrasonic Distance Measure<\/td><\/td>\n<\/tr>\n
<\/td>UDM-1 Arri Ultrasonic Distance Measure<\/strong><\/td>The UDM-1 ultrasonic distance measuring device is a small, lightweight distance measuring device. The UDM-1 consists of a sensor and a control box and is compatible with all cameras and lenses.<\/td>\n<\/tr>\n
<\/td>CTM Cine Tape Measure<\/strong><\/td>Cinematography Electronics' Cine Tape Measure is a lightweight and versatile ultrasonic distance measurement system. It offers fast continuous distance measurements and is compatible with all camera lens configurations.<\/td>\n<\/tr>\n
<\/td>Focusbug Cine RT System<\/strong><\/td>Combines conventional focus assistance systems attached to the camera
\nmost modern computer technology.
\nThe camera assistant can have innovative and practical functions.
\nPrecise timing and high sampling rates ensure perfect measurements.
\nProprietary algorithms deliver an extremely balanced balance between
\nSensitivity and stability.<\/td>\n<\/tr>\n
h2RO<\/td>Follow Focus<\/td><\/td>\n<\/tr>\n
<\/td>Follow Focus Arri FF-3<\/td><\/td>\n<\/tr>\n
<\/td>Follow Focus Arri FF-4<\/td><\/td>\n<\/tr>\n
<\/td>Follow Focus Arri MFF2<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Matte Box<\/td><\/td>\n<\/tr>\n
h3GR<\/td>Lightweight Matte Box<\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box 3\u201cx 3\u201c LMB-2<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box 4\u201cx 4\u201c LMB-3<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box 6.6\u201cx 6.6\u201c LMB-4<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box 4\u201cx 5.65\u201c LMB-25 \/ 15<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box 4\u201cx 5.65\u201c LMB-5<\/strong><\/td><\/td>\n<\/tr>\n
<\/td>Lightweight Matte Box\/Studio Matte Box 4\u201cx 5.65\u201c ARRI LMB 4x5 Pro Set<\/strong><\/td><\/td>\n<\/tr>\n
h3GR<\/td>Studio Matte Box<\/td><\/td>\n<\/tr>\n
<\/td>MB-14<\/strong>
\n6.6\u201c x 6.6\u201c with
\n4-way filter stage, 6 masks,
\n3-piece light protection set<\/td>		<\/td>\n<\/tr>\n
<\/td>MB-14 W Tubus<\/td><\/td>\n<\/tr>\n
<\/td>MB-16<\/strong>
\n4\u201c x 4\u201c mit
\n2- way filter stage, 5 masks,
\n3-piece light protection set<\/td>		<\/td>\n<\/tr>\n
<\/td>MB-17<\/strong>
\n4 \"x 4\" (for support Braket)
\nwith 2-way filter stage and Flag<\/td>		<\/td>\n<\/tr>\n
<\/td>MB-18<\/strong>
\n4\u201c x 5.65\u201c with
\n3- way filter stage, 5 masks,
\n3-piece light protection set<\/td>		<\/td>\n<\/tr>\n
<\/td>MB-19<\/strong>
\n4\u201c x 5.65\u201c with
\n2- way filter stage, 5 masks,
\n3-piece light protection set<\/td>		<\/td>\n<\/tr>\n
<\/td>MB-20<\/strong>
\n4\u201c x 5.65\u201c \/ 5.65\u201c x 5.65\u201c with
\n2- way filter stage, 5 masks,
\n3-piece light protection set<\/td>		<\/td>\n<\/tr>\n
<\/td>2-way filter stage 4\u201cx 4\u201c MB-14\/15<\/td><\/td>\n<\/tr>\n
<\/td>3\/4-way filter stage 4\u201cx 4\u201c MB-16<\/td><\/td>\n<\/tr>\n
<\/td>1-way filter stage 4\u201cx 5.65\u201c MB-19<\/td><\/td>\n<\/tr>\n
<\/td>2\/3-way filter stage 6.6\u201cx 6.6\u201c MB-14<\/td><\/td>\n<\/tr>\n
<\/td>6-way filter stage 6.6\u201cx 6.6\u201c MB-14<\/td><\/td>\n<\/tr>\n
<\/td>filter frame 4\u201cx 4\u201c \/ 4\u201cx 5.65\u201c \/ 6.6\u201cx 6.6\u201c<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Filter<\/td><\/td>\n<\/tr>\n
h3GR<\/td>6.6\" x 6.6\"; \u00f8 6\" Filter<\/td><\/td>\n<\/tr>\n
<\/td>6.6\" x 6.6\"; \u00f8 6\" Filter<\/strong>
\nStandard 85 - 85N3 - 85N6 - 85N9 - 85B - 85BN3 - 85BN6 - 85BN9
\nND 03 - ND 06 - ND 09
\n80A - 80B - 80C - 80D
\n81 - 81A - 81B - 81C - 81D
\n82 - 82A - 82B - 82C - 82D
\n81EF - 81EF N3 - 81EF N6 - 81EF N9
\nClear - UV - Haze
\nSkylight - 812
\nFLB - FLD - 85C<\/td>		<\/td>\n<\/tr>\n
<\/td>6.6\" x 6.6\"; \u00f8 6\" Filter<\/strong>
\nStar 6pt - 8pt
\nVector - Hyper - North - Hollywood -
\nStreak Enhancing - Enhancing Ultra Circular Pol -
\nCircular True Pol - Ultra Pol -
\n
\nPancro NDs -
\nPancro Mirror NDs -
\nPancro ND-Grads -
\nND-Center Spot
\n
\nOne Stop Pol \/ Low Light Pol<\/td>		<\/td>\n<\/tr>\n
<\/td>6.6\" x 6.6\"; \u00f8 6\" Filter<\/strong>
\nCircular True Pol in Drehfassung
\nHollywood black magic 1\/8 \u2013 2
\nSchneider Platinum IR \/ Platinum IR ND
\nTiffen T1
\nTiffen IR ND
\nTiffen Hot Mirror \/ Hot Mirror ND
\nPancro IR ND
\n80 C HM \/ 80 D HM<\/td>		<\/td>\n<\/tr>\n
<\/td>6.6\" x 6.6\"; \u00f8 6\" Filter<\/strong>
\nSepia - Coral - Tobacco - Straw - Chocolate - Antique Suede - Magenta -
\nCranberry - Gold - Grape - Plum - Rot - Gr\u00fcn - Gelb -
\nSahara Gold - Maui Brown
\n
\nDay for Night - Cool Day for Night - Monochrome Day for Night -
\nPol - 85 Pol - 85 B Pol Star 4 pt - LL-D
\n
\nLow Contrast - Soft Contrast -
\nUltra Contrast -
\nLow Light Ultra Contrast -
\nBlack Dot -
\nFog - Double Fog -
\nDiffusion -
\nPro-Mist - warm Pro-Mist -
\nBlack Pro-Mist - warm Black Pro-Mist -
\nBlack Frost - warm Black Frost -
\nSoft FX - warm Soft FX -
\nBlack Diffusion FX - warm Black Diffusion FX -
\nGold Diffusion FX -
\nClassic Soft - warm Classic Soft -
\nSoft Net (White \/ Black) -
\nOptical Retouchers -
\nSoft Centric - Mitchell Diffusion -
\nGlimmerglass - Smoque
\n
\nGraduated filter:
\nAttenuator - NDs - Horizon Blended -
\nRed - Green - Blue - Yellow - Sepia -
\nTobacco - Chocolate - Straw - Tangerine -
\nCyan - Cranberry - Grape - Amber - Magenta<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>4\" x 5.65\"; \u00f8 138mm Filter<\/td><\/td>\n<\/tr>\n
<\/td>4\" x 5.65\"; \u00f8 138mm Filter<\/strong>
\nStandard 85 - 85N3 - 85N6 - 85N9 - 85B - 85BN3 - 85BN6 - 85BN9
\nND 03 - ND 06 - ND 09
\n80A - 80B - 80C - 80D
\n81 - 81A - 81B - 81C - 81D
\n82 - 82A - 82B - 82C - 82D
\n81EF - 81EF N3 - 81EF N6 - 81EF N9
\nClear - UV - Haze
\nSkylight - 812
\nFLB - FLD - 85C <\/td>		<\/td>\n<\/tr>\n
<\/td>4\" x 5.65\"; \u00f8 138mm Filter<\/strong>
\nStar 6pt - 8pt
\nVector - Hyper - North - Hollywood -
\nStreak Enhancing - Enhancing Ultra Circular Pol -
\nCircular True Pol - Ultra Pol -
\n
\nPancro NDs -
\nPancro Mirror NDs -
\nPancro ND-Grads -
\nND-Center Spot
\n
\nOne Stop Pol \/ Low Light Pol<\/td>		<\/td>\n<\/tr>\n
<\/td>4\" x 5.65\"; \u00f8 138mm Filter<\/strong>
\nCircular True Pol in Drehfassung
\nSchneider RHOdium FSND
\nSchneider Platinum IR \/ Platinum IR ND
\nTiffen T1
\nTiffen IR ND
\nTiffen Hot Mirror \/ Hot Mirror ND
\nPancro IR ND
\n80 C HM \/ 80 D HM
\nHollywood black magic 1\/8 \u2013 2<\/td>		<\/td>\n<\/tr>\n
<\/td>4\" x 5.65\"; \u00f8 138mm Filter<\/strong>
\nSepia - Coral - Tobacco - Straw - Chocolate - Antique Suede - Magenta -
\nCranberry - Gold - Grape - Plum - Rot - Gr\u00fcn - Gelb -
\nSahara Gold - Maui Brown
\n
\nDay for Night - Cool Day for Night - Monochrome Day for Night -
\nPol - 85 Pol - 85 B Pol Star 4 pt - LL-D
\n
\nLow Contrast - Soft Contrast -
\nUltra Contrast -
\nLow Light Ultra Contrast -
\nBlack Dot -
\nFog - Double Fog -
\nDiffusion \u2013
\nSatin -
\nBlack Satin -
\nPro-Mist - warm Pro-Mist -
\nBlack Pro-Mist - warm Black Pro-Mist -
\nBlack Frost - warm Black Frost -
\nSoft FX - warm Soft FX -
\nBlack Diffusion FX - warm Black Diffusion FX -
\nGold Diffusion FX -
\nClassic Soft - warm Classic Soft -
\nSoft Net (White \/ Black) -
\nOptical Retouchers -
\nSoft Centric - Mitchell Diffusion -
\nGlimmerglass - Smoque
\n
\nGraduated filter:
\nAttenuator - NDs - Horizon Blended -
\nRed - Green - Blue - Yellow - Sepia -
\nTobacco - Chocolate - Straw - Tangerine -
\nCyan - Cranberry - Grape - Amber - Magenta<\/td>		<\/td>\n<\/tr>\n
<\/td>4\" x 5.65\" Filter<\/strong>
\nIBE Effect Filters
\n
\nRed Shine
\nBlue Shine
\nGolden Fleece
\nRed Atmosphere
\nBlue Atmosphere
\nIce-Blue Atmosphere
\nBrown Atmosphere
\nBlack Romance 1
\nBlack Romance 2
\nBlack Romance 3
\nBlack Romance 4
\nBlack Soft Focus 1
\nBlack Soft Focus 2
\nBlack Soft Focus 3
\nBlack Soft Focus 4
\nImpressive 1
\nImpressive 2
\nImpressive 3
\nImpressive 4
\nImpressive 5
\nBokeh 1
\nBokeh 2
\nBokeh 3
\nOrganic
\nRainbow<\/td>		<\/td>\n<\/tr>\n
<\/td>Streak (blau - gelb - rot - violett) Filter
\n3er Set<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>3\" x 3\" bis 4\" x 4\"; Serie 9 \u2013 Serie 4 1\/2 Filter<\/td><\/td>\n<\/tr>\n
<\/td>3\" x 3\" bis 4\" x 4\"; Serie 9 \u2013 Serie 4 1\/2 Filter<\/strong>
\nStandard 85 - 85N3 - 85N6 - 85N9 - 85B - 85BN3 - 85BN6 - 85BN9
\nND 03 - ND 06 - ND 09
\n80A - 80B - 80C - 80D
\n81 - 81A - 81B - 81C - 81D
\n82 - 82A - 82B - 82C - 82D
\n81EF - 81EF N3 - 81EF N6 - 81EF N9
\nClear - UV - Haze
\nSkylight - 812
\nFLB - FLD - 85C <\/td>		<\/td>\n<\/tr>\n
<\/td>3\" x 3\" bis 4\" x 4\"; Serie 9 \u2013 Serie 4 1\/2 Filter<\/strong>
\nStar 6pt - 8pt
\nVector - Hyper - North - Hollywood -
\nStreak Enhancing - Enhancing Ultra Circular Pol -
\nCircular True Pol - Ultra Pol -
\n
\nPancro NDs -
\nPancro Mirror NDs -
\nPancro ND-Grads -
\nND-Center Spot<\/td>		<\/td>\n<\/tr>\n
<\/td>3\" x 3\" bis 4\" x 4\"; Serie 9 \u2013 Serie 4 1\/2 Filter<\/strong>
\nSepia - Coral - Tobacco - Straw - Chocolate - Antique Suede - Magenta -
\nCranberry - Gold - Grape - Plum - Rot - Gr\u00fcn - Gelb -
\nSahara Gold - Maui Brown
\n
\nDay for Night - Cool Day for Night - Monochrome Day for Night -
\nPol - 85 Pol - 85 B Pol Star 4 pt - LL-D
\n
\nLow Contrast - Soft Contrast -
\nUltra Contrast -
\nLow Light Ultra Contrast -
\nBlack Dot -
\nFog - Double Fog -
\nDiffusion -
\nPro-Mist - warm Pro-Mist -
\nBlack Pro-Mist - warm Black Pro-Mist -
\nBlack Frost - warm Black Frost -
\nSoft FX - warm Soft FX -
\nBlack Diffusion FX - warm Black Diffusion FX -
\nGold Diffusion FX -
\nClassic Soft - warm Classic Soft -
\nSoft Net (White \/ Black) -
\nOptical Retouchers -
\nSoft Centric - Mitchell Diffusion -
\nGlimmerglass - Smoque
\n
\nGraduated filter:
\nAttenuator - NDs - Horizon Blended -
\nRed - Green - Blue - Yellow - Sepia -
\nTobacco - Chocolate - Straw - Tangerine -
\nCyan - Cranberry - Grape - Amber - Magenta<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>2\" x 2\" bis 2\" x 3\"; \u00f8 40,5mm bis \u00f8 48mm Filter<\/td><\/td>\n<\/tr>\n
<\/td>2\" x 2\" bis 2\" x 3\"; \u00f8 40,5mm bis \u00f8 48mm Filter<\/strong>
\nStandard 85 - 85N3 - 85N6 - 85N9 - 85B - 85BN3 - 85BN6 - 85BN9
\nND 03 - ND 06 - ND 09
\n80A - 80B - 80C - 80D
\n81 - 81A - 81B - 81C - 81D
\n82 - 82A - 82B - 82C - 82D
\n81EF - 81EF N3 - 81EF N6 - 81EF N9
\nClear - UV - Haze
\nSkylight - 812
\nFLB - FLD - 85C <\/td>		<\/td>\n<\/tr>\n
<\/td>2\" x 2\" bis 2\" x 3\"; \u00f8 40,5mm bis \u00f8 48mm Filter<\/strong>
\nSepia - Coral - Tobacco - Straw - Chocolate - Antique Suede - Magenta -
\nCranberry - Gold - Grape - Plum - Rot - Gr\u00fcn - Gelb -
\nSahara Gold - Maui Brown
\n
\nDay for Night - Cool Day for Night - Monochrome Day for Night -
\nPol - 85 Pol - 85 B Pol Star 4 pt - LL-D
\n
\nLow Contrast - Soft Contrast -
\nUltra Contrast -
\nLow Light Ultra Contrast -
\nBlack Dot -
\nFog - Double Fog -
\nDiffusion -
\nPro-Mist - warm Pro-Mist -
\nBlack Pro-Mist - warm Black Pro-Mist -
\nBlack Frost - warm Black Frost -
\nSoft FX - warm Soft FX -
\nBlack Diffusion FX - warm Black Diffusion FX -
\nGold Diffusion FX -
\nClassic Soft - warm Classic Soft -
\nSoft Net (White \/ Black) -
\nOptical Retouchers -
\nSoft Centric - Mitchell Diffusion -
\nGlimmerglass - Smoque
\n
\nGraduated filter:
\nAttenuator - NDs - Horizon Blended -
\nRed - Green - Blue - Yellow - Sepia -
\nTobacco - Chocolate - Straw - Tangerine -
\nCyan - Cranberry - Grape - Amber - Magenta<\/td>		<\/td>\n<\/tr>\n
<\/td><\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Power supply<\/td><\/td>\n<\/tr>\n
<\/td>Bebob V290RM-CINE<\/td>V-Mount Li-Ion high load battery 14.4V \/ 294Wh
\n- Maximum load capacity: 20.0A (via bebob Vcine and Arri BAB-HV)
\n- Suitable for Arri ALEXA LF with BAB-HV
\n- loss: 20.4 Ah; 294Wh - Voltage: 14.4V
\n- Dimensions (W x H x D): 94 x 144 x 77 mm
\n- Weight: 1.39 kg<\/td>\n<\/tr>\n
<\/td>Bebob V155RM-CINE<\/td>V-mount Li-Ion high load battery 14.4V \/ 155Wh
\n- Maximum load capacity: 20.0A (via bebob Vcine and Arri BAB-HV)
\n- Suitable for Arri ALEXA LF with BAB-HV
\n- Capacity: 10.8Ah; 155Wh - Voltage: 14.4V
\n- Dimensions (W x H x D): 94 x 144 x 58mm
\n- Weight: 1.0kg<\/td>\n<\/tr>\n
<\/td>Bebob V98MICRO<\/td>micro VMount Li-Ion battery 14.4V \/ 98Wh
\n- Maximum load capacity: 10.0A
\n- Twist D-TAP and USB
\n- Capacity: 6.8Ah; 98Wh
\n- Voltage: 14.4V
\n- Dimensions (WxHxD): 75x101x48mm
\n- Weight: 0.55kg<\/td>\n<\/tr>\n
<\/td>Bebob V98<\/td>V-Mount Li-Ion battery 14.4V \/ 98Wh
\n- Maximum load capacity: 8.0A
\n- Renewable cells
\n- Capacity: 6.8Ah; 98Wh
\n- Voltage: 14.4V
\n- Dimensions (W x H x D): 94 x 144 x 39mm
\n- Weight: 0.63kg<\/td>\n<\/tr>\n
<\/td>Bebob ML-120V\/V-HL<\/td>High current buffer for V-mount cameras
\n- CINE V-Mount (m) to CINE V-Mount (f)
\n- Load capacity: 20A high load
\n- uninterrupted supply of the camera for 120s
\n- Operating time: 2 minutes
\n- Weight: 0.52 kg<\/td>\n<\/tr>\n
<\/td>Bebob ML-120V\/V<\/td>Power buffer for V-mount cameras
\n
\n- V-Mount (m) to V-Mount (f)
\n- Load capacity: 15A
\n- uninterrupted supply of the camera for 120s
\n- Operating time: 2 minutes
\n- Weight: 0.52 kg<\/td>\n<\/tr>\n
<\/td>Bebob VS2
\n2-way charger<\/td>		2-channel V-mount parallel fast charger
\n
\n- integrated power supply 82W DC
\n- Powerbase function
\n- Charging current: 16.8V \/ 2.5A
\n- Weight: 1.0kg<\/td>\n<\/tr>\n
<\/td>Bebob VS2-RL
\n2-way charger<\/td>		2-channel V-mount parallel fast charger
\n
\n- integrated power supply 82W DC
\n- Powerbase function
\n- Charging current: 16.8V \/ 2.5A
\n- Weight: 1.0kg<\/td>\n<\/tr>\n
<\/td>IDX VL-4Si
\n4-way charger<\/td>		4-channel simultaneous fast charger, intelligent D
\n
\n- Power consumption: 310VA Max
\n- Simultaneous 4-channel charger, charges each channel completely independently
\n- Quick Charge: 2.3A (3.0A with 3CH operation) for 4CH Li-ion batteries, 1.9A for Ni-CD batteries
\n- Dimensions: (H x W x D) 153 x 288 x 156 mm
\n- Weight: 3.1kg<\/td>\n<\/tr>\n
<\/td>BlueShape CVS4X
\n4-way charger<\/td>		4-channel charger for V-mount batteries
\n
\n- Simultaneous charging of 2 batteries
\n- Sequential charging of 2 additional batteries
\n- Built-in power supply unit (13.8 V \/ 8 A \/ 110 W) - DC Out, XLR 4-pin (f)
\n- 4.8 A when charging from a battery
\n- 3 A per channel when charging more than one battery
\n- Dimensions (WxHxD): 15 x 17 x 28 cm - Weight: 2.2 kg
\n- Power supply: AC 100 - 240 V, 47\/63 Hz<\/td>\n<\/tr>\n
<\/td>Anton Bauer - CINE VLCX Batterie<\/td>Free-standing nickel-metal-hydride battery, 630 Wh
\n
\n- Nickel-metal-hydride battery
\n- Dual connection compatible (1x camera + 1x equipment at the same time)
\n- 1x 14.4 V XLR 4-pin
\n- 1x 28 V XLR 3-pin
\n- Digital LCD display
\n- Capacity: 630 Wh - Voltage: 14.4 V + 28 V.
\n- Dimensions (WxHxD): 254 x 324 x 138 mm
\n- Weight: 11300 g<\/td>\n<\/tr>\n
<\/td> Anton Bauer - Cine VCLX charger <\/strong><\/td>Charger for the VCLX freestanding battery
\n
\n- Compatible with the Cine VLCX
\n- Charging time approx. 7 hours
\n- Is required by the Cine VLCX<\/td>\n<\/tr>\n
<\/td>Bebob CUBE 1200<\/td>14.4V 1176Wh multi-voltage Li-Ion battery
\n
\n- 5V (USB) 12V (unreg), 24V and 48V outputs
\n- integrated charger
\n- Maximum load: 480W
\n- for cameras and lights
\n- 48V for ARRI SkyPanel S30 \/ S60
\n- Capacity: 81.6Ah; 1176 Wh - voltage: 5.0V; 12.0V (unreg.); 24.0V; 48.0V
\n- Weight: 8.95kg<\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Support<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Tripods and Tripod heads<\/td><\/td>\n<\/tr>\n
<\/td>Sachtler DV 2<\/td><\/td>\n<\/tr>\n
<\/td>Sachtler DV 12<\/td><\/td>\n<\/tr>\n
<\/td>Panorama \/ Standard 7 + 7<\/td><\/td>\n<\/tr>\n
<\/td>Studio II<\/td><\/td>\n<\/tr>\n
<\/td>Studio 65<\/td><\/td>\n<\/tr>\n
<\/td>Studio 80 II<\/td><\/td>\n<\/tr>\n
<\/td>Studio 9+9<\/td><\/td>\n<\/tr>\n
<\/td>O'Conner Ultimate 1030 with Tipod<\/td><\/td>\n<\/tr>\n
<\/td>O'Connor 2060<\/td>Fluid Head for cameras up to 83 lbs. (37.7 kg)<\/td>\n<\/tr>\n
<\/td>O'Connor 2560<\/td>Fluid Head for cameras up to 83 lbs. (37.7 kg)<\/td>\n<\/tr>\n
<\/td>O'Connor 2575<\/td>Ultimate 2575D Fluid Head for cameras up to 90 LBS (40.8 kg)<\/td>\n<\/tr>\n
<\/td>Cartoni Sigma<\/td><\/td>\n<\/tr>\n
<\/td>Cartoni Wobbler \/ Air Hooter<\/td><\/td>\n<\/tr>\n
<\/td>Weaver Steadman<\/td><\/td>\n<\/tr>\n
<\/td>Weaver Steadman 3rd axis<\/td><\/td>\n<\/tr>\n
<\/td>Cartoni Spinhead<\/td><\/td>\n<\/tr>\n
<\/td>Cartoni Lambda<\/td><\/td>\n<\/tr>\n
<\/td>Cartoni Lambda 3rd axis<\/td><\/td>\n<\/tr>\n
<\/td>Ronford F 7 MK 4<\/td><\/td>\n<\/tr>\n
<\/td>Ronford F 7 3rd axis<\/td><\/td>\n<\/tr>\n
<\/td>Schulz Head<\/td><\/td>\n<\/tr>\n
<\/td>Dutch Head<\/td><\/td>\n<\/tr>\n
<\/td>Swing \/ Tango Head<\/td><\/td>\n<\/tr>\n
<\/td>ARRI Head<\/td><\/td>\n<\/tr>\n
<\/td>ARRI Head C II<\/td><\/td>\n<\/tr>\n
<\/td>pair of reduction gears<\/td><\/td>\n<\/tr>\n
<\/td>Mitchell Vitesse<\/td><\/td>\n<\/tr>\n
<\/td>Mini Skater P+S with Leveling Supports<\/td><\/td>\n<\/tr>\n
<\/td>Skater Tilt Module<\/td><\/td>\n<\/tr>\n
<\/td>Skater Control and Turntable<\/td><\/td>\n<\/tr>\n
<\/td>Scater Smooth<\/td><\/td>\n<\/tr>\n
<\/td>Egripment camera wedge plate<\/td><\/td>\n<\/tr>\n
<\/td>Denz camera wedge plate<\/td><\/td>\n<\/tr>\n
<\/td>Low Shot Plate<\/td><\/td>\n<\/tr>\n
<\/td>Low Level Head<\/td><\/td>\n<\/tr>\n
<\/td>Movietech Low Level Head<\/td><\/td>\n<\/tr>\n
<\/td>Schulz Low Level Head<\/td><\/td>\n<\/tr>\n
<\/td>Sachtler Low Boy<\/td><\/td>\n<\/tr>\n
<\/td>Frontbox<\/td><\/td>\n<\/tr>\n
<\/td>Sachtler 100 \/ 150, long \/ medium long \/ medium \/ short<\/td><\/td>\n<\/tr>\n
<\/td>Ronford \/ Schulz \/ Sachtler HD, long \/ medium \/ short<\/td><\/td>\n<\/tr>\n
<\/td>bazooka tripod 6-parts<\/td><\/td>\n<\/tr>\n
<\/td>Monopod<\/td><\/td>\n<\/tr>\n
<\/td>Spreader (rubber \/ metal)<\/td><\/td>\n<\/tr>\n
<\/td>Mid-level spreader<\/td><\/td>\n<\/tr>\n
<\/td>Rolling Spreader<\/td><\/td>\n<\/tr>\n
<\/td>set of rubber feet<\/td><\/td>\n<\/tr>\n
<\/td>spreader for sand<\/td><\/td>\n<\/tr>\n
<\/td>Cardellini Tri-Head 150 dia. \/ Flatbase<\/td><\/td>\n<\/tr>\n
<\/td>Base plate 150 dia. \/ Flatbase<\/td><\/td>\n<\/tr>\n
<\/td>base plate with spigot<\/td><\/td>\n<\/tr>\n
<\/td>half ballmount with platform\/spigot<\/td><\/td>\n<\/tr>\n
<\/td>3-Way Leveler<\/td><\/td>\n<\/tr>\n
<\/td>4-Way Leveler<\/td><\/td>\n<\/tr>\n
<\/td>Adapter plate Sachtler \/ Mitchell<\/td><\/td>\n<\/tr>\n
<\/td>Smart Plate Schulz<\/td><\/td>\n<\/tr>\n
<\/td>v-bag s \/ m \/ large<\/td><\/td>\n<\/tr>\n
<\/td>Steadybag<\/td>Gr\u00f6\u00dfe: 28 cm x 40 cm
\nGewicht: 3,5 kg<\/td>\n<\/tr>\n
<\/td>Cinekinetic Cinesaddle Pro Serie<\/td>Car Mounting Kit, Schultergurt und Bedienungsanleitung sind im Lieferumfang enthalten.
\n
\nGeeignet f\u00fcr HD Kameras
\nAbmessungen: 35 cm x 30 cm x 30 cm
\nGewicht: 1,25 kg<\/td>\n<\/tr>\n
<\/td>Ladder stand<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Camera support systems<\/td><\/td>\n<\/tr>\n
<\/td>Easy Rig<\/td><\/td>\n<\/tr>\n
<\/td>Easy Rig Vario 5<\/td><\/td>\n<\/tr>\n
<\/td>Easy Rig Vario 5 Flow Cine Serene<\/td><\/td>\n<\/tr>\n
<\/td>Ready Rig GS System Complete + ProArm<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Camera Gimbal systems<\/td><\/td>\n<\/tr>\n
<\/td>DJ Ronin 2 - Gimbal<\/td><\/td>\n<\/tr>\n
<\/td>DJI Master Wheels - Gimbal<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Slider\/ Skater<\/td><\/td>\n<\/tr>\n
<\/td>Baur Slider<\/td><\/td>\n<\/tr>\n
<\/td>HIT Slider 125cm<\/td><\/td>\n<\/tr>\n
<\/td>Ronford Baker Slider 107 cm<\/td><\/td>\n<\/tr>\n
<\/td>Panther Slider 140cm<\/td><\/td>\n<\/tr>\n
<\/td>P+S Skater jun. Kit with DSLR<\/td><\/td>\n<\/tr>\n
<\/td>Cine Mac Hand Held Rig<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Spezial Stative<\/td><\/td>\n<\/tr>\n
<\/td>super grip<\/td><\/td>\n<\/tr>\n
<\/td>C-60 hanger<\/td><\/td>\n<\/tr>\n
<\/td>door mount for cars with seat<\/td><\/td>\n<\/tr>\n
<\/td>Matthews car mount<\/td><\/td>\n<\/tr>\n
<\/td>car rig system
\nelectric vacuum suction 12 V
\nwith clamps, tubes,
\n2 half balls \/ -adapter,
\nset-up material<\/td>		<\/td>\n<\/tr>\n
<\/td>Ronford low angle 15 pieces<\/td><\/td>\n<\/tr>\n
<\/td>C-clamp with adapter 150 dia.<\/td><\/td>\n<\/tr>\n
<\/td>tension belt<\/td><\/td>\n<\/tr>\n
<\/td>Low Mode carrying basket<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set S-1 \/ S-2 \/ S-3 \/ S-4<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set ARRICAM ST \/ LT<\/td><\/td>\n<\/tr>\n
<\/td>Blue Handle System<\/td><\/td>\n<\/tr>\n
<\/td>Fleximount<\/td><\/td>\n<\/tr>\n
<\/td>Kenyon gyro stabilizer, with battery and charger<\/td><\/td>\n<\/tr>\n
<\/td>Ken-Lab Gyro Camera Stabilizer KS-6x6\/8x8<\/td><\/td>\n<\/tr>\n
<\/td>Magliner<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Radio<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Walkie-talkies<\/td><\/td>\n<\/tr>\n
<\/td>Motorola GP 300\/340, 2x with 4 batteries and charger<\/td><\/td>\n<\/tr>\n
<\/td>Motorola, 2 walkie-talkies, 4 batteries, 2 chargers<\/td><\/td>\n<\/tr>\n
<\/td>additional battery<\/td><\/td>\n<\/tr>\n
<\/td>Single Charger<\/td><\/td>\n<\/tr>\n
<\/td>sixfold charger<\/td><\/td>\n<\/tr>\n
<\/td>Headset<\/td><\/td>\n<\/tr>\n
<\/td>Headphone headset<\/td><\/td>\n<\/tr>\n
<\/td>Headset<\/td><\/td>\n<\/tr>\n
<\/td>Handheld microphone<\/td><\/td>\n<\/tr>\n
<\/td>Megaphone<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>Audio<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Audio Devices<\/td><\/td>\n<\/tr>\n
<\/td>Sound Devices 788T<\/strong>
\n12 track recorder, TC compatible, 256GB internal SSD, CF card recording,
\n3 batteries, charger, cables<\/td>		<\/td>\n<\/tr>\n
<\/td>Fostex DAT PD 4 digital tape recorder with TC, 4 batteries, power supply \/ charger<\/td><\/td>\n<\/tr>\n
<\/td>Fostex DAT DA-P 1 digital tape recorder with TC, 4 batteries, power supply \/ charger<\/td><\/td>\n<\/tr>\n
<\/td>mixer mono SQN 3 with HB-cable, 2 batteries + charger<\/td><\/td>\n<\/tr>\n
<\/td>mixer stereo SQN 4\/ SD422N with HB-cable, batteries + charger<\/td><\/td>\n<\/tr>\n
<\/td>battery NP1 additional<\/td><\/td>\n<\/tr>\n
<\/td>charger for NP1<\/td><\/td>\n<\/tr>\n
<\/td>headphones<\/td><\/td>\n<\/tr>\n
<\/td>windscreen (foam)<\/td><\/td>\n<\/tr>\n
<\/td>windscreen (fur)<\/td><\/td>\n<\/tr>\n
<\/td>microphone mount<\/td><\/td>\n<\/tr>\n
<\/td>table stand<\/td><\/td>\n<\/tr>\n
<\/td>CF telescopic boom<\/td><\/td>\n<\/tr>\n
<\/td>microphone cable<\/td><\/td>\n<\/tr>\n
<\/td>Schoeps MK 8 with power supply CMC 5-U<\/td><\/td>\n<\/tr>\n
<\/td>Schoeps MK21 with power supply CMC 5-U<\/td><\/td>\n<\/tr>\n
<\/td>Schoeps MK41 with power supply CMC 5-U<\/td><\/td>\n<\/tr>\n
<\/td>Neumann RSM 191 stereo with matrix amplifier<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MD 441<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser e905<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MKH 406<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MKH 416<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MKH 60<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MKH 435<\/td><\/td>\n<\/tr>\n
<\/td>Sennheiser MKH 815<\/td><\/td>\n<\/tr>\n
<\/td>clip-on microphone with power supply<\/td><\/td>\n<\/tr>\n
<\/td>clip-on microphone with wireless transmission diversity<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Audio Accessories<\/td><\/td>\n<\/tr>\n
<\/td>libertybox<\/td><\/td>\n<\/tr>\n
<\/td>libertybox with wireless microphone<\/td><\/td>\n<\/tr>\n
<\/td>Fostex active speaker<\/td><\/td>\n<\/tr>\n
<\/td>Megaphone<\/td><\/td>\n<\/tr>\n
h1ROT<\/td><\/a>16mm<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRIFLEX 416<\/td><\/td>\n<\/tr>\n
<\/td>ARRIFLEX 416 Plus<\/strong>
\nSuper 16
\nPL mount, 1-75 fps
\nmirror shutter mechanically adjustable 45\u00b0 \/ 90\u00b0 \/ 135\u00b0 \/ 144\u00b0 \/ 172.8\u00b0 \/ 180\u00b0
\nmulti-color RGB ARRIGLOW
\nTime Code recording with TC-module equipped magazines
\nLCS module and wireless remote module integrated<\/td>		<\/td>\n<\/tr>\n
<\/td>ARRIFLEX 416 Plus HS<\/strong>
\nSuper 16
\nPL mount, 1-150 fps
\nmirror shutter mechanically adjustable 45\u00b0 \/ 90\u00b0 \/ 135\u00b0 \/ 144\u00b0 \/ 172.8\u00b0 \/ 180\u00b0
\nmulti-color RGB ARRIGLOW
\nTime Code recording with TC-module equipped magazines
\nLCS module and wireless remote module integrated<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>Accessories ARRIFLEX 416<\/td><\/td>\n<\/tr>\n
<\/td>magazine SHM-3, 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine SHM-3 with Time Code module<\/td><\/td>\n<\/tr>\n
<\/td>changing bag\/tent<\/td><\/td>\n<\/tr>\n
<\/td>rain cover<\/td><\/td>\n<\/tr>\n
<\/td>barney<\/td><\/td>\n<\/tr>\n
<\/td>barney heated<\/td><\/td>\n<\/tr>\n
<\/td>on board battery OBB-2 24V<\/td><\/td>\n<\/tr>\n
<\/td>battery 24V<\/td><\/td>\n<\/tr>\n
<\/td>charger<\/td><\/td>\n<\/tr>\n
<\/td>battery belt 24 V with charger<\/td><\/td>\n<\/tr>\n
<\/td>power supply<\/td><\/td>\n<\/tr>\n
<\/td>camera cable<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension MEE-1 (125mm) with leveler<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension LEE-1 (270mm) with 2x zoom and leveler<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup HE-3\/4<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup with auto-iris HE-5<\/td><\/td>\n<\/tr>\n
<\/td>IVS video assist color<\/td><\/td>\n<\/tr>\n
<\/td>mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter UHF<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter and receiver HF<\/td><\/td>\n<\/tr>\n
<\/td>video synchronizer ESU-1<\/td><\/td>\n<\/tr>\n
<\/td>remote switch RS-4<\/td><\/td>\n<\/tr>\n
<\/td>extension RS-4 (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>external display EXD-1<\/td><\/td>\n<\/tr>\n
<\/td>extension EXD-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>remote control unit RCU-1<\/td><\/td>\n<\/tr>\n
<\/td>extension RCU-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>RS ZV 24V<\/td><\/td>\n<\/tr>\n
<\/td>accessory power box 12V\/24V APB<\/td><\/td>\n<\/tr>\n
<\/td>work-light<\/td><\/td>\n<\/tr>\n
<\/td>bridge plate BP-10<\/td><\/td>\n<\/tr>\n
<\/td>light weight support LWS-5<\/td><\/td>\n<\/tr>\n
<\/td>low mode support LMS-2<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set S-4<\/td><\/td>\n<\/tr>\n
<\/td>shoulder pad<\/td><\/td>\n<\/tr>\n
<\/td>set of handles<\/td><\/td>\n<\/tr>\n
<\/td>handheld follow focus<\/td><\/td>\n<\/tr>\n
<\/td>follow focus<\/td><\/td>\n<\/tr>\n
<\/td>cinematography tape measure system<\/td><\/td>\n<\/tr>\n
<\/td>LED ringlight Kisslite<\/td><\/td>\n<\/tr>\n
<\/td>obielight<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector Schulz Spray Off<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector FGV \/ Spintec<\/td><\/td>\n<\/tr>\n
<\/td>scubacam 416 up to 4m diving<\/td><\/td>\n<\/tr>\n
<\/td>UW mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>underwater lightmeter<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRIFLEX 16 SR3<\/td><\/td>\n<\/tr>\n
<\/td>ARRIFLEX 16 SR3 Advanced<\/strong>
\nNormal 16 \/ Super 16
\nPL mount, 5-75 fps
\nmirror shutter mechanically adjustable 45\u00b0 \/ 90\u00b0 \/ 135\u00b0 \/ 144\u00b0 \/ 172.8\u00b0 \/ 180\u00b0
\nARRIGLOW \/ exposure meter
\nAdvanced version without exposure meter
\nTime Code recording with TC magazines<\/td>		<\/td>\n<\/tr>\n
<\/td>ARRIFLEX 16 SR3 High Speed<\/strong>
\nNormal 16 \/ Super 16
\nPL mount 5-150 fps
\nmirror shutter mechanically adjustable 45\u00b0 \/ 90\u00b0 \/ 135\u00b0 \/ 144\u00b0 \/ 172.8\u00b0 \/ 180\u00b0
\nARRIGLOW \/ exposure meter
\nTime Code recording with TC magazines<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>Accessories 16 SR3<\/td><\/td>\n<\/tr>\n
<\/td>magazine 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>Time Code magazine 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>Time Code magazine 240m\/800ft<\/td><\/td>\n<\/tr>\n
<\/td>changing bag\/tent<\/td><\/td>\n<\/tr>\n
<\/td>rain cover<\/td><\/td>\n<\/tr>\n
<\/td>barney<\/td><\/td>\n<\/tr>\n
<\/td>barney heated<\/td><\/td>\n<\/tr>\n
<\/td>clip on battery 24V<\/td><\/td>\n<\/tr>\n
<\/td>battery 24V<\/td><\/td>\n<\/tr>\n
<\/td>charger<\/td><\/td>\n<\/tr>\n
<\/td>battery belt 24 V with charger<\/td><\/td>\n<\/tr>\n
<\/td>power supply<\/td><\/td>\n<\/tr>\n
<\/td>camera cable<\/td><\/td>\n<\/tr>\n
<\/td>finder extension FE-2 (190mm) with 2x zoom and leveler<\/td><\/td>\n<\/tr>\n
<\/td>finder extension FE-4 (270mm) with 2x zoom, ND filter and leveler<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup HE-3\/4<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup with auto-iris HE-5<\/td><\/td>\n<\/tr>\n
<\/td>IVS video assist color<\/td><\/td>\n<\/tr>\n
<\/td>video set b\/w<\/td><\/td>\n<\/tr>\n
<\/td>mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter UHF<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter and receiver HF<\/td><\/td>\n<\/tr>\n
<\/td>video synchronizer ESU-1<\/td><\/td>\n<\/tr>\n
<\/td>remote switch RS-4<\/td><\/td>\n<\/tr>\n
<\/td>extension RS-4 (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>external display EXD-1<\/td><\/td>\n<\/tr>\n
<\/td>extension EXD-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>variable speed unit VSU-4<\/td><\/td>\n<\/tr>\n
<\/td>extension VSU-4 (10m\/33ft)<\/td><\/td>\n<\/tr>\n
<\/td>remote control unit RCU-1<\/td><\/td>\n<\/tr>\n
<\/td>extension RCU-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>RS ZV 24V<\/td><\/td>\n<\/tr>\n
<\/td>DC converter 12V\/24V<\/td><\/td>\n<\/tr>\n
<\/td>Time Code battery TCB-1<\/td><\/td>\n<\/tr>\n
<\/td>work-light<\/td><\/td>\n<\/tr>\n
<\/td>bridge plate BP-6<\/td><\/td>\n<\/tr>\n
<\/td>light weight support LWS-4<\/td><\/td>\n<\/tr>\n
<\/td>low mode adapter<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set S-3<\/td><\/td>\n<\/tr>\n
<\/td>shoulder pad<\/td><\/td>\n<\/tr>\n
<\/td>handgrip left with extension<\/td><\/td>\n<\/tr>\n
<\/td>handheld follow focus<\/td><\/td>\n<\/tr>\n
<\/td>follow focus<\/td><\/td>\n<\/tr>\n
<\/td>cinematography tape measure system<\/td><\/td>\n<\/tr>\n
<\/td>LED ringlight Kisslite<\/td><\/td>\n<\/tr>\n
<\/td>Obielight<\/td><\/td>\n<\/tr>\n
<\/td>Crashbox<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector Schulz Spray Off<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector FGV \/ Spintec<\/td><\/td>\n<\/tr>\n
<\/td>scubacam 16 SR up to 4m diving<\/td><\/td>\n<\/tr>\n
<\/td>UW mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>underwater lightmeter<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Aaton Minima<\/td><\/td>\n<\/tr>\n
<\/td>Aaton Minima<\/strong>
\nsmallest self-blimped 16mm camera 27dbA
\nSuper 16
\nPL mount
\nintegrated exposure meter
\nsingle shot with internal intervalometer control
\nvideo assist b\/w
\ninternal 12V \u2013 1 - 32 fps (4 x Lithium 3V)
\nexternal 12V \u2013 1 - 50 fps
\n4 x 60m\/200ft Floppy drive daylight-friendly magazines,
\nlight weight support, 2 batteries 12 V 1,2 Ah,
\n1 charger, 1 changing bag<\/td>		<\/td>\n<\/tr>\n
h1ROT<\/td><\/a>35mm<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRICAM<\/td><\/td>\n<\/tr>\n
<\/td>ARRICAM Studio<\/strong>
\n2-Perf \/ 3-Perf \/ 4-Perf
\nNormal 35 \/ Super 35
\nPL \/ LDS mount
\n1-60 fps forward
\n(reverse run with speedbox 1-32 fps)
\nmirror shutter, electronically adjustable 11.2-180\u00b0
\nstudio viewfinder
\nframeglow module<\/td>		<\/td>\n<\/tr>\n
<\/td>ARRICAM Lite<\/strong>
\n2-Perf \/ 3-Perf \/ 4-Perf
\nNormal 35 \/ Super 35
\nPL \/ LDS mount
\n1-40 fps forward
\n(reverse run with studio magazines and rear mount adapter 1-32 fps)
\nmirror shutter electronically adjustable 11.2-180\u00b0
\nUniversal \/ Lite II viewfinder
\nframeglow module<\/td>		<\/td>\n<\/tr>\n
h2RO<\/td>Accessories ARRICAM Studio<\/td><\/td>\n<\/tr>\n
<\/td>magazine 120m\/400ft forward\/reverse<\/td><\/td>\n<\/tr>\n
<\/td>magazine 300m\/1,000ft forward\/reverse<\/td><\/td>\n<\/tr>\n
<\/td>magazine adapter back \/ dual<\/td><\/td>\n<\/tr>\n
<\/td>readout for studio viewfinder<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Accessories ARRICAM Lite<\/td><\/td>\n<\/tr>\n
<\/td>shoulder magazine 120m \/400ft<\/td><\/td>\n<\/tr>\n
<\/td>Steadicam magazine 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine adapter studio mags<\/td><\/td>\n<\/tr>\n
h2RO<\/td>Accessories ARRICAM Studio & Lite<\/td><\/td>\n<\/tr>\n
<\/td>rain cover<\/td><\/td>\n<\/tr>\n
<\/td>barney<\/td><\/td>\n<\/tr>\n
<\/td>barney heated<\/td><\/td>\n<\/tr>\n
<\/td>changing bag\/tent<\/td><\/td>\n<\/tr>\n
<\/td>battery 28.8V with charger<\/td><\/td>\n<\/tr>\n
<\/td>battery belt 28.8V with charger<\/td><\/td>\n<\/tr>\n
<\/td>power supply<\/td><\/td>\n<\/tr>\n
<\/td>camera cable<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension (150mm) with leveler<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension long (300mm) with 2x zoom and leveler<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup HE-3\/4<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup with auto-iris HE-5<\/td><\/td>\n<\/tr>\n
<\/td>IVS video assist color<\/td><\/td>\n<\/tr>\n
<\/td>video top with low mode adapter<\/td><\/td>\n<\/tr>\n
<\/td>mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter UHF<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter and receiver HF<\/td><\/td>\n<\/tr>\n
<\/td>video pick up<\/td><\/td>\n<\/tr>\n
<\/td>remote switch RS-4<\/td><\/td>\n<\/tr>\n
<\/td>extension RS-4 (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>speed control box SCB<\/td><\/td>\n<\/tr>\n
<\/td>remote control station RCS<\/td><\/td>\n<\/tr>\n
<\/td>manual control box MCB<\/td><\/td>\n<\/tr>\n
<\/td>timing shift box TSB<\/td><\/td>\n<\/tr>\n
<\/td>extension SCB+RCS \/ MCB \/ TSB (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>extension SCB+RCS \/ MCB \/ TSB (15m\/50ft)<\/td><\/td>\n<\/tr>\n
<\/td>Lens Data Set with display for ARRICAM \/ 435 Xtreme<\/td><\/td>\n<\/tr>\n
<\/td>RS ZV 24V<\/td><\/td>\n<\/tr>\n
<\/td>accessory power box 12V\/24V APB<\/td><\/td>\n<\/tr>\n
<\/td>work-light<\/td><\/td>\n<\/tr>\n
<\/td>power bridge plate<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set ARRICAM ST\/LT<\/td><\/td>\n<\/tr>\n
<\/td>shoulder pad LT<\/td><\/td>\n<\/tr>\n
<\/td>handheld follow focus<\/td><\/td>\n<\/tr>\n
<\/td>follow focus<\/td><\/td>\n<\/tr>\n
<\/td>cinematography tape measure system<\/td><\/td>\n<\/tr>\n
<\/td>LED ringlight Kisslite<\/td><\/td>\n<\/tr>\n
<\/td>Obielight<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector Schulz Spray Off<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector FGV \/ Spintec<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRIFLEX 435<\/td><\/td>\n<\/tr>\n
<\/td>ARRIFLEX 435 Xtreme<\/strong>
\n3-Perf \/ 4-Perf
\nNormal 35 \/ Super 35
\nPL \/ LDS mount
\n0.1-150 fps forward and reverse
\nmirror shutter electronically adjustable 11.2-180\u00b0
\nARRIGLOW \/ RS-ZV \/ ACC-ZV
\nICS compatibel
\nTime Code exposure with TC module<\/td>		<\/td>\n<\/tr>\n
<\/td>ARRIFLEX 435 ES<\/strong>
\n4-Perf
\nNormal 35 \/ Super 35
\nPL mount
\n1-150 fps forward and reverse
\nmirror shutter electronically adjustable 11.2-180\u00b0
\nARRIGLOW \/ RS-ZV \/ ACC-ZV
\nICS compatibel
\nTime Code exposure with TC module<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>Accessories ARRIFLEX 435<\/td><\/td>\n<\/tr>\n
<\/td>magazine 60m\/200ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine M-120 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>Steadicam magazine M-120S 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine M-300E 300m\/1,000ft<\/td><\/td>\n<\/tr>\n
<\/td>changing bag\/tent<\/td><\/td>\n<\/tr>\n
<\/td>rain cover<\/td><\/td>\n<\/tr>\n
<\/td>barney<\/td><\/td>\n<\/tr>\n
<\/td>barney heated<\/td><\/td>\n<\/tr>\n
<\/td>battery 28.8V with charger<\/td><\/td>\n<\/tr>\n
<\/td>battery belt 28.8V with charger<\/td><\/td>\n<\/tr>\n
<\/td>power supply<\/td><\/td>\n<\/tr>\n
<\/td>camera cable<\/td><\/td>\n<\/tr>\n
<\/td>power booster CHS-2<\/td><\/td>\n<\/tr>\n
<\/td>remote switch RS-4<\/td><\/td>\n<\/tr>\n
<\/td>extension RS-4 (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension FE-5 (200mm) with leveler<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension FE-3 (295mm) with 2x zoom and leveler<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup HE-3\/4<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup with auto-iris HE-5<\/td><\/td>\n<\/tr>\n
<\/td>IVS video assist color<\/td><\/td>\n<\/tr>\n
<\/td>video top 435 with low mode adapter<\/td><\/td>\n<\/tr>\n
<\/td>mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter UHF<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter and receiver HF<\/td><\/td>\n<\/tr>\n
<\/td>video synchronizer ESU-1<\/td><\/td>\n<\/tr>\n
<\/td>external display EXD-1<\/td><\/td>\n<\/tr>\n
<\/td>extension EXD-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>variable speed unit VSU-4<\/td><\/td>\n<\/tr>\n
<\/td>extension VSU-4 (10m\/33ft)<\/td><\/td>\n<\/tr>\n
<\/td>remote unit RU-1<\/td><\/td>\n<\/tr>\n
<\/td>remote control unit RCU-1<\/td><\/td>\n<\/tr>\n
<\/td>extension RCU-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>time shift box TSB for 435 Xtreme<\/td><\/td>\n<\/tr>\n
<\/td>motion control interface MCI for 435 Xtreme<\/td><\/td>\n<\/tr>\n
<\/td>hand crank set HD-1 for 435 Xtreme<\/td><\/td>\n<\/tr>\n
<\/td>single frame unit ICS-1 for 435 ES \/ Xtreme<\/td><\/td>\n<\/tr>\n
<\/td>work-light<\/td><\/td>\n<\/tr>\n
<\/td>bridge plate BP-8<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set S-4<\/td><\/td>\n<\/tr>\n
<\/td>shoulder pad<\/td><\/td>\n<\/tr>\n
<\/td>handheld follow focus<\/td><\/td>\n<\/tr>\n
<\/td>follow focus<\/td><\/td>\n<\/tr>\n
<\/td>cinematography tape measure system<\/td><\/td>\n<\/tr>\n
<\/td>LED ringlight Kisslite<\/td><\/td>\n<\/tr>\n
<\/td>Obielight<\/td><\/td>\n<\/tr>\n
<\/td>crashbox<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector Schulz Spray Off<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector FGV \/ Spintec<\/td><\/td>\n<\/tr>\n
<\/td>scubacam 435 up to 4m diving<\/td><\/td>\n<\/tr>\n
<\/td>UW mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>underwater lightmeter<\/td><\/td>\n<\/tr>\n
h2RO<\/td>ARRIFLEX 235<\/td><\/td>\n<\/tr>\n
<\/td>ARRIFLEX 235<\/strong>
\n2-Perf \/ 3-Perf \/ 4-Perf
\nNormal 35 \/ Super 35
\nPL mount
\n1-75 fps forward, 20 - 30 fps reverse
\nmirror shutter mechanically adjustable 45\u00b0 \/ 60\u00b0 \/ 75\u00b0 \/ 90\u00b0 \/ 105\u00b0
\n120\u00b0 \/ 135\u00b0 \/ 144\u00b0 \/ 172.8\u00b0 \/ 180\u00b0<\/td>		<\/td>\n<\/tr>\n
h3GR<\/td>Accessories ARRIFLEX 235<\/td><\/td>\n<\/tr>\n
<\/td>shoulder magazine SHM-1 60m\/200ft<\/td><\/td>\n<\/tr>\n
<\/td>shoulder magazine SHM-2 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine 60m\/200ft<\/td><\/td>\n<\/tr>\n
<\/td>magazine M-120 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>Steadicam magazine STM-1 120m\/400ft<\/td><\/td>\n<\/tr>\n
<\/td>changing bag\/tent<\/td><\/td>\n<\/tr>\n
<\/td>rain cover<\/td><\/td>\n<\/tr>\n
<\/td>barney<\/td><\/td>\n<\/tr>\n
<\/td>barney heated<\/td><\/td>\n<\/tr>\n
<\/td>on board battery OBB-1 24V<\/td><\/td>\n<\/tr>\n
<\/td>battery 24V<\/td><\/td>\n<\/tr>\n
<\/td>charger<\/td><\/td>\n<\/tr>\n
<\/td>battery belt 24 V with charger<\/td><\/td>\n<\/tr>\n
<\/td>power supply<\/td><\/td>\n<\/tr>\n
<\/td>camera cable<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension MEE-1 (125mm) with leveler<\/td><\/td>\n<\/tr>\n
<\/td>eyepiece extension LEE-1 (270mm) with 2x zoom and leveler<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup HE-3\/4<\/td><\/td>\n<\/tr>\n
<\/td>heated eyecup with auto-iris HE-5<\/td><\/td>\n<\/tr>\n
<\/td>IVS video assist color<\/td><\/td>\n<\/tr>\n
<\/td>mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter UHF<\/td><\/td>\n<\/tr>\n
<\/td>wireless video transmitter and receiver HF<\/td><\/td>\n<\/tr>\n
<\/td>video synchronizer ESU-1<\/td><\/td>\n<\/tr>\n
<\/td>remote switch RS-4<\/td><\/td>\n<\/tr>\n
<\/td>extension RS-4 (5m\/16ft)<\/td><\/td>\n<\/tr>\n
<\/td>external display EXD-1<\/td><\/td>\n<\/tr>\n
<\/td>extension EXD-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>remote control unit RCU-1<\/td><\/td>\n<\/tr>\n
<\/td>extension RCU-1 (20m\/66ft)<\/td><\/td>\n<\/tr>\n
<\/td>RS ZV 24V<\/td><\/td>\n<\/tr>\n
<\/td>accessory power box 12V\/24V APB<\/td><\/td>\n<\/tr>\n
<\/td>work-light<\/td><\/td>\n<\/tr>\n
<\/td>riser plate RP-1<\/td><\/td>\n<\/tr>\n
<\/td>bridge plate BP-8<\/td><\/td>\n<\/tr>\n
<\/td>shoulder set S-4<\/td><\/td>\n<\/tr>\n
<\/td>shoulder pad<\/td><\/td>\n<\/tr>\n
<\/td>low mode support LMS-1<\/td><\/td>\n<\/tr>\n
<\/td>side bracket SBR-1<\/td><\/td>\n<\/tr>\n
<\/td>handheld follow focus<\/td><\/td>\n<\/tr>\n
<\/td>follow focus<\/td><\/td>\n<\/tr>\n
<\/td>cinematography tape measure system<\/td><\/td>\n<\/tr>\n
<\/td>LED ringlight Kisslite<\/td><\/td>\n<\/tr>\n
<\/td>Obielight<\/td><\/td>\n<\/tr>\n
<\/td>crashbox<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector Schulz Spray Off<\/td><\/td>\n<\/tr>\n
<\/td>rain deflector FGV \/ Spintec<\/td><\/td>\n<\/tr>\n
<\/td>scubacam 235 up to 4m diving<\/td><\/td>\n<\/tr>\n
<\/td>UW mini monitor<\/td><\/td>\n<\/tr>\n
<\/td>underwater lightmeter<\/td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-910","page","type-page","status-publish"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/pages\/910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/comments?post=910"}],"version-history":[{"count":1,"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/pages\/910\/revisions"}],"predecessor-version":[{"id":6520,"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/pages\/910\/revisions\/6520"}],"wp:attachment":[{"href":"https:\/\/fgv-rental.de\/index.php\/wp-json\/wp\/v2\/media?parent=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}